So in knitting, sometimes things don’t work the way you want, the way the pattern or directions describe, or simply just look weird.
I’ve never knitted intarsia (aka “knitting in color”) before the project I’m working on. Let me just say that it’s hard: you have to keep track of all of the individual colors you’re working on, twist the strands of yarn together and keep everything from turning into a giant snarl at the end. My pattern only calls for two colors: how bad could it be?
I taught myself to knit using Debbie Stoller’s excellent “Stitch ‘n Bitch”as my guide. The description of how to knit intarsia wasn’t so awful, and I figured I’d do what I usually do: figure it out on the fly, and ask for help if I got really stuck.
Well, I finished the front, back and collar and started the sleeve, which has a skull and crossbones on it. I got through the first couple of rows, and realized that it was pulling. No big deal, I just left a bigger line of yarn from one color to the next, to prevent pulling. I brought the sweater to work today to have my yarn-goddess-mentor take a look, because I wasn’t entirely happy with it.
She takes a look at it and says, “well, the problem is you’re not supposed to carry the color more than 4 stitches” (I’d done 12 or so at a clip, not knowing that lovely bit of info, or more accurately, failing to read the tips on color knitting on the next page, which also discussed Fair Isle and would have been very useful.)
Well, then.
I said I thought about cutting the traveling yarn and just knotting it off, as it wouldn’t be a huge problem: the knots would be small.
She smiled at me and pulled the needle out of the sleeve. “It’s best to be ruthless, otherwise you’d see the problem every time you looked at it.”
I ripped all but the last inch of the sleeve: damn it, she’s right.
On the plus side, now that I have earned myself a clue, it will be a fuck of a lot faster to cut the pieces for each section than to fool around with the floating yarn.
For those not yarn obsessed, the title of the post comes from Stoller’s pages on unraveling your work: the pieces that you just can’t live with. Happens to everyone, or so I’m told…